Hagia Sophia: Architecture Description

Hagia Sophia: Architecture Description Basilicas were used for commerce, as public meeting places and for courts of law. The Hagia Sophia was built as the Byzantine Emperor, Justinians personal imperial church. It was built in the hopes of competing with the Temple of Solomon in Jerusalem. The Forum was built from a vast stoa-lined piazza measuring 660 by 390 feet (200x120m) with exedrae on two sides. The main entrance to the forum is on the southern side, a triumphal arch surmounted by a statue of Trajan in a six-horse chariot. The Basilica Ulpia lies at the north end of the piazza, which was cobbled with rectangular blocks of white marble and decorated by a large equestrian statue of Trajan. On either side of the piazza are markets, also housed by the exedrae. Justinians basilica was at once the culminating architectural achievement of late antiquity and the first masterpiece of Byzantine architecture. Its influence, both architecturally and liturgically, was widespread and enduring in the Eastern Orthodox, Roman Cathol ic, and Muslim worlds alike. The largest columns are of granite, about 19 or 20 meters high and at least 1.5 meters in diameter; the largest weigh well over 70 tons apiece. Under Justinians orders, eight Corinthian columns were disassembled from Baalbek, Lebanon and shipped to Constantinople for the construction of Hagia Sophia. The vast interior has a complex structure. The nave is covered by a central dome which has a maximum diameter of 31.24meters (102ft6in) and a height from floor level of 55.6meters (182ft5in), about one fourth smaller and greater, respectively, than the dome of the Pantheon. The dome seems rendered weightless by the unbroken arcade of 40 arched windows under it, which help flood the colorful interior with light. Due to consecutive repairs in the course of its history, the dome has lost its perfect circular base and has become somewhat elliptical with a diameter varying between 31.24m (102ft6in) and 30.86m (101ft3in). The dome is carried on pendentives — four concave triangular sections of masonry which solve the problem of setting the circular base of a dome on a rectangular base.[15] At Hagia Sophia the weight of the dome passes through the pendentives to four massive piers at the corners. Between them the dome seems to float upon four great arches. These were reinforced with buttresses during Ottoman times, under the guidance of the architect Mimar Sinan. At the western (entrance) and eastern (liturgical) ends, the arched openings are extended by half domes carried on smaller semi-domed exedras. Thus a hierarchy of dome-headed elements builds up to create a vast oblong interior crowned by the main dome, a sequence unexampled in antiquity. Despite all these measures, the weight of the dome remained a problem, which was solved by adding buttresses from the outside. All interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry and gold mosaics, encrusted upon the brick. This sheathing camouflaged the large pillars, giving them, at the same time, a brighter aspect. On the exterior, simple stuccoed walls reveal the clarity of massed vaults and domes. The yellow and red color of the exterior was added by the architect Fossati during the restorations in the 19th century. Looking at the plan of Trajans Basilica, there seems to be good balance and symmetry in the design. The plan shows that the structure was huge, holding thousands of people if needed. The Hagia Sophia, while a large building in its right, to me still looks smaller and less grand because of its closed dome. Trajans basilica was open, giving it an even more open and expanse feeling. Hagia Sophia is also very symmetrical in design. In both cases, these structures were fully functional as community meeting places or religious places of worship. They reflected the wealth and power of their emperors who commissioned their construction. Each structure is huge and larger than life in their design: the Hagia Sophia was adorned with gold and beautiful mosaics on its interior walls while the Trajans Forum was large, open and had several statues and monuments built inside to honor Trajan. Wikipedia contributors. Trajans Forum. Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 9 Apr. 2010. Web. 10 May. 2010. Wikipedia contributors. Hagia Sophia. Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 6 May. 2010. Web. 10 May. 2010.

Presentation of witches in Macbeth Essay

Macbeth is a play written by William Shakespeare in 1606 during the reign of King James I. This infernal play tells the story of a man who commits regicide in order to gain power himself. Not only does this drama deal with the age-old morality tale of good versus evil but it also deals with what is right and what is wrong. In this essay I will discuss and analyze Shakespeare’s presentation of the witches in Macbeth. At this time witchcraft was feared and it was seen as a real threat. The witches did not fear Christ and this meant they basically had no fear that was outside the moral, religious and social boundaries of 17th century Britain. Catholics in England were seen as outsiders, hated and seen as a threat, this was a lot like the position of witches. Witchcraft was also used as an excuse for bad happenings like natural disasters or deaths. It was usually old women who lived on their own who got accused of being a witch. Many believed accusing these single women was a way of discouraging women from living alone outside the authority of a male-dominated household. Men wanted masculine superiority to remain unchecked. In a way men were scene as good and women were scene as evil. If these women accused of being witches were found guilty they would be tortured into a confession and then murdered. King James I was just one of the people who had strong feelings on witchcraft during this era. He believed that once he was nearly killed by the evils of witchcraft. The original play featured nymphs but Shakespeare changed it and included witches to not only impress and interest King James I but also to warn him of the danger of these evil witches. Involving witches also includes fears of that time and would frighten the audience more than nymphs. Introducing witches also gives the play an excuse for more dramatic stage play and more shocking scenes and was a necessity in the attempt to hasten the plot of Macbeth. The witches feature at the very beginning of Macbeth in Act One, Scene One. They enter to the elements of thunder and lightning in a deserted place that has a significant meaning. The thunder and lightning puts the main focus on the entrance of these witches. This dramatic scene suggests evil and highlights the threat of these witches. They enter from a deserted place that highlights their isolation and avoids distraction to the entrance of these witches. They then talk of what the future holds showing their gift of foresight that is supernatural and against Christian believing. This is an example of the witches going against the beliefs of 17th century Britain that is shown almost straight away. There is also a mention of â€Å"Greymalkin† and â€Å"Paddock† which are the witches’ familiars and part of the criteria of being a witch was having a familiar that confirms the strange sisters are witches. The scene ends, â€Å"Fair is foul, and foul is fair: Hover th rough the fog and filthy air.† All three of the witches say this together like a spell would be said. Here the witches heighten the sense of mystery in the play by confusing the audience by dealing with opposites. This rounds off the spooky scene with a dramatic ending. In Act One, Scene Three the witches also enter to thunder as they meet again as planned. It is not as dramatic and there is no lightning but evil and fear is still present. One of the witches talks about getting revenge on a sailor by killing him. King James I believed the witches attempted to kill him with makes it relevant to the King. Macbeth and Banquo are introduced in this scene. Macbeth comments on the day by saying â€Å"so fair and foul a day I have not seen.† Then Banquo notices the â€Å"so withered, and so wild in their attire† witches with beards and is utterly shocked. Macbeth then asks them â€Å"What are you?† and he is also horrified. The witches then together say a verse hailing Macbeth, flattering him sarcastically. The witches talk in riddles and say make some confusing comments like, â€Å"Less than Macbeth, and greater. Not so happy, yet much happier.† The characters of the witches are still quite mysterious but in this scene they have shown some emotions that support the view that they are evil, as they involve murdering and other terrible things. In Act Four, Scene One the witches once again enter to the thunder that suggests evil is coming and they then begin casting an evil spell. They put lots of different things in a cauldron and chant together, â€Å"Double, double toil and trouble, fire burn, and cauldron bubble.† Saying the verse together creates an aural effect that would scare the audience. A â€Å"scale of a dragon† and a â€Å"tooth of a wolf† are just a couple of things that go into this cauldron of evil. When they have their potion ready they â€Å"cool it with a baboons blood.† This is imagery of blood and it has a sickening and shocking effect. Throughout the play the impact of the witches is developed and strengthened by the reactions of the other characters. The witches have a major impact on Macbeth and he believes what they are saying. This makes us ask the question of whether Macbeth is under a spell of the witches making or whether he is acting under his own free will. The witches do not harm Macbeth therefore he is an agent of God, but he does destroy himself. That corresponds with the Christian notion of made in God’s image but with the power of free will. The witches use the weakness of Macbeth to their advantage and to show they can have control over people but they cannot move Banquo to the dark side. Banquo is stronger then Macbeth and does not just believe whatever the witches say. He doubts the reality of his senses and is skeptical. The witches use language in this play to get across their point in a strong way. They use plenty of repetition. â€Å"I’ll do, I’ll do, I’ll do† they repeat three times and three is widely seen as the magic number. They also use a lot of imagery in the play. For example they put in the cauldron, â€Å"A finger of birth-strangled babe† which makes you think of innocence and the witches are creating drama by including something harmless and loved. The witches’ dramatic rituals reinforce their sisterhood as they speak together and work together. They are completely original and together they are isolated from the rest of society but they have each other. The rhyming couplets help make the chant more flowing. The witches also say, â€Å"I’ll give thee a wind.† This suggests the witches can control the weather and the natural environment. The witches in these plays are warning King James I that witches can manipulate people to kill the King even though he is saw as untouchable. Shakespeare allows the audience to see that the witches do have this influence and they can cause evil through other people with Macbeth being an example. The witches tie in with the established idea that women could be harmful to men at this time as they have the power of manipulation. I think the witches work very well in Macbeth. They create fear and drama throughout the play. They can be linked with terrorists in our society today. Terrorists are now feared and they have the power to get their own way because of their evil to a certain extent. Women were seen as a threat in the 17th century as witches were usually women now Muslims are scene as a threat as a lot of terrorists are Muslims.

Cash for Clunkers Details

Question: How does the Cash for Clunkers program work? Cash for Clunkers is a federal program designed to stimulate U.S. auto sales and help the environment by providing an economic incentive for consumers to replace old, low-mileage vehicles with new, fuel-efficient models that are safer and emit less pollution and fewer greenhouse gases. Answer: The basic concept is simple: if you trade in a low-mileage vehicle for one that meets a higher mileage threshold set by the Cash for Clunkers program, the government will provide up to $4,500 to help you purchase the new fuel-efficient vehicle. The details, of course, are more complicated. Under the Cash for Clunkers bill passed by Congress in June 2009, the passenger car you trade in must meet two criteria: The car has been registered and in use for at least a year (this provision prevents people from buying an old beater from a junkyard and trading it in for a new car);The vehicle must have a combined city and highway fuel-economy rating of 18 mpg or less.To qualify for the Cash for Clunkers program, the new car must be priced at $45,000 or less;The new car must have a federal fuel-economy rating that is at least 4 mpg better than the old car you’re trading in to qualify for a $3,500 voucher, or be rated at least 10 mpg better to get the maximum payment of $4,500. The rules for trucks are a little trickier. For light- and standard-duty model trucks, which include most sport utility vehicles (SUVs), vans and pickup trucks: The old vehicle must have a fuel-efficiency mileage rating of 18 mpg or less.The new vehicle must be rated at least 2 mpg better to qualify for the $3,500 voucher or at least 5 mpg better for the $4,500 payment. heavy-duty trucks The old truck you’re trading in must be rated 15 mpg or less.The new truck must be rated at least 1 mpg better to get the $3,500 voucher and at least 2 mpg better to qualify for the $4,500 voucher. work trucks The old truck has to be a 2001 model or older, and $3,500 is the only amount offered to help with the purchase of new work trucks. To compare vehicle mileage ratings for all model years back to 1985, see the interactive chart at www.fueleconomy.gov.

Unit 301 Understanding Roles leaflet - 1158 Words

Mr. Peter Bowen Understanding Roles, Responsibilities and Relationships in Education and Training Unit 301 The areas covered within this leaflet are: The teaching role and responsibilities in education and training How the teaching/training role involves working with other professionals The boundaries between the teaching role and other professional roles including points of referral to meet the needs of learners The key aspects of legislation, regulatory requirements and codes of practice relevant to the roles and responsibilities of our own professional role As teacher’s we are committing to a life time of learning and development of ourselves and our learners. The roles and responsibilities in education and training. These are†¦show more content†¦Teachers will inevitably be in contact with other professionals daily. It is always important to treat these professionals with respect. These professionals may include some of the following: Management, OFSTED, Colleagues, Reprographics department, Suppliers and external agencies An example might be, external agencies required to repair classrooms or equipment so as the lesson or course may proceed. The boundaries between the teaching role and other professional roles, including points of referral to meet the needs of learners. Some learners may have needs that exceed what we the teacher can offer. It is our role as the teacher to recognise our own boundaries and refer the learner elsewhere. It is of utmost importance that as a teacher you do not cross boundaries with learners by becoming too familiar. During lessons it may become apparent that a learner has a specific need that requires help such as financial guidance, bereavement, dyslexia, or help with maths/English skills. 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